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Showing posts with label Shelly Bryant. Show all posts
Showing posts with label Shelly Bryant. Show all posts

The Throne, Restored

The Throne, Restored
A response to Juel’s oil on canvas, Pharao of the Mountains
by Shelly Bryant


from Himalayan peaks
a desert watched

an ankh-shaped shadow
from a dangling earring
wavers in the midday glare

beneath dark horns
on a sun-blanched skull
a black eye opens
     blinks
and surveys its surroundings

high on the mountain
in a distant land
the hermit retreats to his cave

stroking the cold surface
of his porcelain vessel
he whispers, at long last
the time has come


he chants in a tongue
long unheard on the earth
from beneath his feet
at the mountain’s root
a slow rumble of response
rises to hail him

a breeze blows down the slope
gathering momentum
in minutes
a sandstorm wracks the desert

newly formed flesh
grows from the chin
spreading over bleached face bones

tongue and lips, remade
take up the chant
the ground opens
the mountain starts to sink
the sky is rent
and the hermit starts to laugh
     ever so softly


* * *

Shelly Bryant divides her year between Shanghai and Singapore, working as a teacher, writer, researcher, and translator. She is the author of  four volumes of poetry, Cyborg Chimera, Under the Ash, Voices of the Elders, and Harps Upon Willows, a pair of travel guides, and a translation of Sheng Keyi's novel 《北妹》 (Northern Girls) for Penguin Books. She has five more translations coming out in the next year.

What inspires you to write and keep writing?

Writing has always been easier for me that speaking, less fraught with shyness and awkwardness. When writing, I feel free to be myself, and also enjoy the structure that the conventions of good writing provide. Even on the days when writing is frustrating, I find comfort there. It is a place of quiet that can soothe the heart and mind, even as it is a place that can excite and thrill. I suppose, for me, writing is where I am most at home.
Shelly's poetry has appeared in journals, magazines, and websites around the world, as well as in several art exhibitions, including dark 'til dawn, Things Disappear, and Studio White • Exhibition 2011.  You can visit her website at shellybryant.com


Irruption

Irruption
by Shelly Bryant


These are not peregrine birds. Why then have they arrived, so suddenly and in such large numbers? From whence have they come, and where will they go? What is augured by their flight?

These are not carrion birds. Why then do they carry flesh in their beaks? From whence has it come, and where do they carry it? And what is augured by this flight?

These are not xerophilous birds. Why then have they come to our barren land, so suddenly and carrying flesh in their beaks and in such large numbers? From whence have they come, and where will they go?

Why has the augural power waned? What can be meant by its flight?

* * *

Shelly Bryant divides her year between Shanghai and Singapore, working as a teacher, writer, researcher, and translator. She is the author of two volumes of poetry, Cyborg Chimera and Under the Ash, and a travel guide to the city of Suzhou entitled Suzhou Basics. Her third volume of poetry, Voices of the Elders, is slated for release in 2012. Her most recent projects include writing an updated guide to the city of Shanghai for Urbanatomy and translating Sheng Keyi's novel 北妹》 (Northern Girls) for Penguin Books.

Shelly's poetry has appeared in journals, magazines, and websites around the world, as well as in several art exhibitions, including dark 'til dawn, Things Disappear, and Studio White • Exhibition 2011. You can visit her website at shellybryant.com.

Master Craftsman

Master Craftsman
by Shelly Braynt

Photobucket

Nobody has blinded me.
Wide-eyed and eager,
I take my tools in hand
and turn to face the flames.

I am a man of vision;
nobody has blinded me.
In my mind’s eye I espy
that which as yet is not

but one day will be.
Their bodies dance, and since
nobody has blinded me,
I see their every move

and marvel at their grace.
These ethereal shapes will I
bring to life. You see,
nobody has blinded me.

* * *

Shelly Bryant divides her year between Shanghai and Singapore, working as a teacher, writer, researcher, and translator. She is the author of two volumes of poetry, Cyborg Chimera and Under the Ash, and a travel guide to the city of Suzhou entitled Suzhou Basics. Her third volume of poetry, Voices of the Elders, is slated for release in 2012. Her most recent projects include writing an updated guide to the city of Shanghai for Urbanatomy and translating Sheng Keyi's novel 《北妹》 (Northern Girls) for Penguin Books.

Shelly's poetry has appeared in journals, magazines, and websites around the world, as well as in several art exhibitions, including dark 'til dawn, Things Disappear, and Studio White • Exhibition 2011. You can visit her website at shellybryant.com.

Peace Offering

Peace Offering
by Shelly Bryant





a gift fit for the royal line
sent from his lair to her home
that seething tempers may be quelled
a gesture from her estranged son


sent from his lair to her home
wrought by the work of his own hands
this gesture from an estranged son
a throne from finest metals forged


wrought by the work of his own hands
and secret skills learned in the depths
a throne from finest metals forged
the likes of which have never been seen


secret skills learned in the depths
deliver to her this exalted seat
the likes of which have never been seen
with rich jewels and golden bands set


to her this exalted seat delivered
and she cries forth in her great mirth
rich jewels and thickest bands of gold
shine in the light from the hearth


she cries forth in her great mirth
a tear in the corner of an eye
shines in the light from the hearth
as into the grand seat she drops


a tear from the corner of an eye
falls onto the throne’s golden bands
for as into the grand seat she drops
they wrap round her in a tight embrace


onto the throne’s golden bands fall
mingled curses and cries for help
they wrap round her in a tight embrace
as she struggles against their hold


mingled curses and cries for help
melt a grief-hardened heart
as she struggles against the hold
of the golden seat upon her dais


his grief-hardened heart melted
he at last grants her release
from the golden seat upon her dais
its gilt covering divine in its grace


her release at last he grants
that seething tempers may be quelled
guilt covered by a divine grace
— a gift fit for the royal line


* * *
Shelly Bryant divides her year between Shanghai and Singapore, working as a teacher, writer, researcher, and translator. She is the author of two volumes of poetry, Cyborg Chimera and Under the Ash, and a travel guide to the city of Suzhou entitled Suzhou Basics.  Her third volume of poetry, Voices of the Elders, and her travel memoir, The End of the Line, are slated for release in 2012.  Her current projects include writing an updated guide to the city of Shanghai for Urbanatomy and translating Sheng Keyi's novel 《北妹》 (Northern Girls) for Penguin Books.


Shelly's poetry has appeared in journals, magazines, and websites around the world, as well as in several art exhibitions, including dark 'til dawn, Things Disappear, and Studio White • Exhibition 2011.  You can visit her website at http://web.me.com/shellybryant.


What do you think is the attraction of the fantasy genre?


I think the attraction to the fantasy genre lies in the way it triggers the reader's imagination, even as it hints at (never exhausts) the ranges of writer's imagination. It gives us a safe place to explore issues in the "real" world — those hard realities that are better examined when removed from the here and now, if we hope to gain the sort of distance that gives us a suitable perspective for proper contemplation.

Storm at Sea

Storm at Sea
by Shelly Bryant

the path up and down is one and the same thing - Heraclitus

Photobucket


from the beach watching
an electric storm
far out at sea
lightning bolts dance
          — their touch
stirring the body beneath

a childhood recalled
from its smoldering lair
beneath layers
          of memory
storms raging at home
Father’s bluster
          as Mother cowers
and him
          in between

he rubs his bandaged heel
and sighs into the wind
          stoking
the coals of his campfire

* * *


Shelly Bryant splits her time between Singapore and Shanghai, sometimes teaching English literature, and sometimes studying Chinese language. Her first poetry collection, Cyborg Chimera, was released in 2009, and her second is due out later this year. Besides working with speculative poetry, she does some nonfiction writing. Her loves for travel and writing intermingle in the Pocket Guide to Suzhou, which was published in May 2010 in Shanghai, China.

What do you think is the attraction of the fantasy genre?

I think the attraction to the fantasy genre lies in the way it triggers the reader's imagination, even as it hints at (never exhausts) the ranges of writer's imagination. It gives us a safe place to explore issues in the "real" world — those hard realities that are better examined when removed from the here and now, if we hope to gain the sort of distance that gives us a suitable perspective for proper contemplation.

Entrance Exam

Entrance Exam
after The Book of the Dead
by Shelly Bryant

Photobucket


Who is he
whose roof is of fire?
Who is he
whose walls with serpents writhe?
Who is he
whose floor is streams of water?


Osiris
            coolly calculating
            speaker of truth
            unmoved and unmoving
Osiris

Let hearts in his hands be weighed
            and not found wanting
Let pure minds enter the way
            by the just one broken

* * *


Shelly Bryant splits her time between Singapore and Shanghai, sometimes teaching English literature, and sometimes studying Chinese language. Her first poetry collection, Cyborg Chimera, was released in 2009, and her second is due out later this year. Besides working with speculative poetry, she does some nonfiction writing. Her loves for travel and writing intermingle in the Pocket Guide to Suzhou, which was published in May 2010 in Shanghai, China.

What do you think is the attraction of the fantasy genre?

I think the attraction to the fantasy genre lies in the way it triggers the reader's imagination, even as it hints at (never exhausts) the ranges of writer's imagination. It gives us a safe place to explore issues in the "real" world — those hard realities that are better examined when removed from the here and now, if we hope to gain the sort of distance that gives us a suitable perspective for proper contemplation.

Her Light Extinguished

Her Light Extinguished
by Shelly Bryant

Her Light Extinguished


Parading beasts audition, each seeking to serve as companion to man. One by one passing before him, one by one rejected. His eyes to the heavens turn, sighing toward one bright spot.

“Why is there nothing like that for me? Her light twinkling beauty suits me better. How can mere beasts compare?”

From her lofty home, Lilith looks on. Moved by his longing for her, she turns to the Maker.

“Let it be as he wishes, Lord.”

“Would you have it so?”

“Yes. Let me be his partner for all of our days.”

“Your days, or his?”

“If not mine, then his.”

“As you wish then. Only, go not alone. Take your sister. Let her be a maid to keep you in heavenly comfort.”

      her earthward descent
      outshines all other glories
      Lilith’s bridal train

His eyes raise in wonder. His arms reach up to her. He thanks the Maker for this glowing bride.

Reaching her orbit, she shines over him. He stands, with face uplifted, raising in equal measure sighs and lovers’ customary speech. Her affections shower down in rays onto his erect form.

Under each night’s blanket, as all else sleeps, the two keep vigil, each enrapt in the other’s form. Nightly locked in a shared gaze, trapped in bodies that may never meet.

She rests content above. Below, his longings multiply.

      night gazes exchanged
      without a single caress
      unmade marriage bed

“Come to me.”

“Love, you know I may not.”

“If you wished, you would find a way.”

“I can come to you no more than you can come to me. We are made each of different stuff than the other.”

“You don’t want these hands, of earth wrought, to soil your shining form.”

“Silly child. I don’t want my form, of stardust wrought, to unmake your whole sphere, as it must if I nearer draw.”

“Lilith, come.”

“Hush. Is it not enough to look upon me, and to love?”

“Enough? It is torture.”

“Torture to gaze upon my form?”

“Torture not to possess it.”

“You know not what you say. How in all the worlds that are would you possess me?”

“Go! Torment me no more!”

      his wish shaping hers
      she turns to face the dark void
      her light extinguished

“Lilith! Turn back!”

But stars take less kindly to rejection than do mortals crawling upon the earth. Her stony heart remains unmoved.

In sorrow, he beats his breast. In rage, he pulls his hair. In despair, he falls to the earth of which he is made.

“Why am I left thus alone?”

From the heavens, a reply, in a voice unlike his beloved’s.

“Would you have another?”

“Yes.”

“Another as glorious as she?”

“No. Let this one never rest overhead. Let her be of lower nature. As you’ve made me, make her of like matter.”

“So be it.”

      dominion on Earth
      divine cooperation
      with man’s slightest whim

Awaking from a swoon, with a new ache in his side, he sees her form lying nearby. There is no blazing light. Her glory is of a lowlier sort, flesh and bones formed to suit his own. She will answer his desire.

Above, Lilith looks on, unshining from her hidden space. She weeps at her fate, usurped by one of dirt made.

To her sister she turns for comfort.

“Luna, let us depart. Let us retreat again to the depths of cold space, far from the site of my shame.”

“Lilith, I cannot.”

“Cannot?”

“My eyes, too, have taken note of the earth, and learned to love. Your heart beats for him formed of it, mine for that from which he is formed. With Terra I must remain.”

      loving sisters
      affections turned to dust
      as they circle the earth

“But Luna! With him — with them! — I cannot bear to remain,” howls the elder. “And from you I do not wish to part.”

“Neither will I leave her.”

“But you know her love is not yours. Her eyes turn only to Sol. She would have him rule over her. Around his fancy she shapes her comings and goings. Don’t be a fool. She will not be yours.”

“It is as you say. And yet I will not go. I care not where her affections turn. Only let me look upon her.”

      waltzing night skies
      one gaze upon the Earth
      the other turned away

Luna’s watching eye Terra’s form commands each night, as her ear is filled with her sister’s refrain.

“Learn from my tale, Luna. Be not like me. Commit not yourself to the keeping of inconstancy. Stay near if you must, but torture yourself not with looks upon her form as it looks upon another. Turn away. Seek solace in the cold heavens.”

Day after day sisterly persuasion assaults.

At last, she turns, but is unable to forego the sight of her beloved. Turning back, she notes her rival’s fierce blaze over Terra’s curve.

Unwilling to leave, unable to bear the sight of her beloved’s love for another, she oscillates between Lilith’s taunts and Terra’s draw. The elder sister, in constant concealment from the eyes of Earth’s children, keeps watch over Luna’s eternal spin between two desires.

      sign of men’s longing
      her inconstancy mirrored
      in hearts of earth made

* * *


Shelly Bryant spends half of each year in Singapore teaching English literature, and the other half in Shanghai studying Chinese language. She loves to read, write, cycle, and travel. Her poems have appeared in numerous small press publications, and there are plans in the works for her first collection of poetry to be released late in 2009. You can visit her website.

Where do you get the ideas for your poems?

I would like to have some fantastic explanation, like saying that aliens visit me once a quarter to give me ideas. But then, on top of being untrue, that would do an injustice to any intelligent life that exists out there. The fact is, I get my ideas the old fashioned way — lots of reading, some research, and listening to what is going on around me. Long walks or long cycling trips help flesh out the ideas.

Byblos

Byblos
by Shelly Bryant

Photobucket


the whole earth wandered
in search of her lost love
only to find him in Byblos
at rest beneath palm fronds
not a single feast missing
in the halls of its king

* * *


Shelly Bryant splits her time between Singapore and Shanghai, sometimes teaching English literature, and sometimes studying Chinese language. Her first poetry collection, Cyborg Chimera, was released in 2009, and her second is due out later this year. Besides working with speculative poetry, she does some nonfiction writing. Her loves for travel and writing intermingle in the Pocket Guide to Suzhou, which was published in May 2010 in Shanghai, China.

What do you think is the attraction of the fantasy genre?

I think the attraction to the fantasy genre lies in the way it triggers the reader's imagination, even as it hints at (never exhausts) the ranges of writer's imagination. It gives us a safe place to explore issues in the "real" world — those hard realities that are better examined when removed from the here and now, if we hope to gain the sort of distance that gives us a suitable perspective for proper contemplation.

To Memory You Are Called

To Memory You Are Called
by Shelly Bryant

Photobucket


tell me, Horatio
   the tale of this prince
       who killed his uncle
       who killed his father
       who killed mine
   to memory you are called
the ghost of his legacy

   whose parapet
   will you haunt?

* * *


Shelly Bryant spends half of each year in Singapore teaching English literature, and the other half in Shanghai studying Chinese language. She loves to read, write, cycle, and travel. Her poems have appeared in numerous small press publications, and there are plans in the works for her first collection of poetry to be released late in 2009. You can visit her website.

Where do you get the ideas for your poems?

I would like to have some fantastic explanation, like saying that aliens visit me once a quarter to give me ideas. But then, on top of being untrue, that would do an injustice to any intelligent life that exists out there. The fact is, I get my ideas the old fashioned way — lots of reading, some research, and listening to what is going on around me. Long walks or long cycling trips help flesh out the ideas.

The Day's Work

The Day’s Work
by Shelly Bryant

The Day's Work


bare feet pad forward
stopping before the shrub
      in gentle mist covered
she breathes the fragrant air
a quick evaluation
leads her to wait another day
      for the blueblack berries

under their dew-coat, leaves
silvery, cool to her touch
      and unyielding
deceive with their soft appearance

she withdraws her hand
brushes the moist fingertips
across her eyes
and stretches to her full length
      with a lazy sigh

upon the ritual’s completion
      before her gaze
            the bracken shuffles
             small voices rustle
            tiny wings buzz
            and tree-filtered light
            rests on airy forms
      going about the day’s work

* * *


Shelly Bryant spends half of each year in Singapore teaching English literature, and the other half in Shanghai studying Chinese language. She loves to read, write, cycle, and travel. Her poems have appeared in numerous small press publications, and there are plans in the works for her first collection of poetry to be released late in 2009. You can visit her website.

Where do you get the ideas for your poems?

I would like to have some fantastic explanation, like saying that aliens visit me once a quarter to give me ideas. But then, on top of being untrue, that would do an injustice to any intelligent life that exists out there. The fact is, I get my ideas the old fashioned way — lots of reading, some research, and listening to what is going on around me. Long walks or long cycling trips help flesh out the ideas.

Long Compton

Long Compton
by Shelly Bryant

Photobucket


Danish troops
on the hillside stopped
dead in their tracks

silently they keep watch
over the northern gate
never English soil to tread

from an old hag’s lips
a lonely laugh
brushes their stone cold ears

its undying echo
centuries after her victory
carried on winter winds

* * *


Shelly Bryant spends half of each year in Singapore teaching English literature, and the other half in Shanghai studying Chinese language. She loves to read, write, cycle, and travel. Her poems have appeared in numerous small press publications, and there are plans in the works for her first collection of poetry to be released late in 2009. You can visit her website.

Where do you get the ideas for your poems?

I would like to have some fantastic explanation, like saying that aliens visit me once a quarter to give me ideas. But then, on top of being untrue, that would do an injustice to any intelligent life that exists out there. The fact is, I get my ideas the old fashioned way — lots of reading, some research, and listening to what is going on around me. Long walks or long cycling trips help flesh out the ideas.

Cave Drawings

Cave Drawings
by Shelly Bryant

Cave Drawings


simple lines and dots
washed out ancient colours
coded images
secret knowledge
openly concealed

* * *


Shelly Bryant spends half of each year in Singapore teaching English literature, and the other half in Shanghai studying Chinese language. She loves to read, write, cycle, and travel. Her poems have appeared in numerous small press publications, and there are plans in the works for her first collection of poetry to be released late in 2009. You can visit her website.

Where do you get the ideas for your poems?

I would like to have some fantastic explanation, like saying that aliens visit me once a quarter to give me ideas. But then, on top of being untrue, that would do an injustice to any intelligent life that exists out there. The fact is, I get my ideas the old fashioned way — lots of reading, some research, and listening to what is going on around me. Long walks or long cycling trips help flesh out the ideas.