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Showing posts with label Evelyn Deshane. Show all posts
Showing posts with label Evelyn Deshane. Show all posts

Stray Arrow


Stray Arrow
by Evelyn Deshane

Nomi was talking to the sky again.

After Abigail cleared the wooden fence surrounding the militia’s property, she held her hand up to her forehead to block the sun. The field Nomi had been assigned to plough lay nearly barren, the red earth cracked from the plough’s wheels. When she did not spot Nomi, Abigail slipped into the barn next. She held a finger up to her lips when the cows mooed and the goats bleated. Soon, the animals paused and recognized Abigail from her many midnight passages through the barn better than the land’s real owners. Abigail’s dark clothing, along with her tanned skin and brown hair, were no longer strange and unfamiliar. The quiver of arrows that she kept over her back no longer seemed like a threatening weapon, either, but merely part of her body.

That was where Abigail found Nomi on her knees. She faced the small window inside the barn that looked out onto the skyline. Nomi held her dark hands together, her dark curls falling over her head as she bobbed along in prayer. Abigail only heard bits and pieces of her whispered words.

“Dear God… Please bless…Again and again…”

Abigail paused, hidden behind a beam so no one from the militia’s farm could see her. She made sure to keep Nomi in full view, and waited, as patiently as she could, for her friend to finish her prayers.

When the militia men had come to the country, they had brought their guns and their missionaries. The guns were easy enough to understand and tolerate. Guns, to Abigail, were almost simple when compared to what the missionaries tried to offer to help fill the void in the villagers’ lives: God. The missionaries handed out brown leather Bibles like candy and made the villagers sit in semi-circles, facing a man with dark clothing as he read aloud from the pages. The stories the Bible had were always so familiar, and yet, so far out of reach for Abigail to really comprehend. When she tried to ask questions, she got no real response. She wanted to know how a man in the sky could see all of them, know all of their names, and still allow for bad things like their land being stolen to occur.

“Because what may seem bad in one light,” the man in dark clothing had said. “Will be good in another. Have faith that the decisions people make are the right ones.”

Abigail had tried to heed the words, but she was too young to really listen. She often, like her father said, caused more trouble than she was worth. Abigail wanted to look at the margins of the story, at the message behind the words. She saw too many new interpretations and without someone, like her grandparents, to go to and ask questions, everything became static. Boring. Abigail liked the kind of stories that talked back. There was none of that in the Bible.

But slowly, Abigail watched as people turned away from their old roots. They no longer repeated the stories their grandmother and grandfathers told and instead, began to stare up at the sky. They became content with silence as a response and renamed that silence “faith.” Even as the man in dark clothing moved on to the next part of the world, people still followed his words. His stories, and the Bible they came from, became the new law of the land.

Nomi had resisted for a long time, Abigail knew. Nomi still had the memories of her grandmother and mother inside her head, taking up space and talking back. But when Nomi’s mother had died, and the men from the militia came and took her away to this farm, she had to learn to adapt. Her father came next, with a new wife, and new stepsisters for Nomi. Abigail’s own father pulled her family across town, into a village with people just like them. The divide running down the country was as deep and caustic as the drought that crippled many of the crops.

But Abigail was still determined to walk where she used to, hunt where she had been, and sneak into Nomi’s bed at night. For a long time after the men in dark clothing came, she and Nomi would find one another after midnight. Inside the barn and still wearing their bed-clothes, she and Nomi would trade the stories they remembered from their mothers and grandmothers. It had been enough for both of them to survive on for a long, long time. But now, Abigail had found Nomi in the prayer position yet again.

“You are forgetting your roots, my love,” Abigail stated from the sidelines of the barn.

Nomi gasped. She placed her hands against her dress’s apron, fingers splayed against the fabric. She stayed on her knees, but looked over her shoulders with a perturbed glance.

“You shouldn’t be here.”

“Neither should you,” Abigail said with a smile. She waited for Nomi’s face to soften. For her to be happy to see her. It had taken a lot to sneak out during the middle of the day. Abigail’s arms and thighs ached from running across the cracked earth of the deserted country, where there was nothing but trees and dying grass turning yellow in the sun.

“I had to go to the market,” Abigail said when Nomi still didn’t respond. “I ran as fast as I could, after I got some bread, some apples, and a lot of things. But I wanted to see you. I figured you would be here. Aren’t you happy to see me?”

The barn grew darker as the sun passed away from the window and hid behind the clouds. A chill spread over them both as the cattle and goats murmured. Abigail shifted the quiver of arrows on her back. She slung her dark brown satchel over her shoulder again, feeling the deep groves the leather left inside her skin.

Nomi rose to her feet, brushing the straw out of her apron while still hiding her eyes. “I am, but you have to be careful. There are eyes everywhere in this place.”

“What good are eyes if you can’t really see with them?” Abigail said. She smiled, though she felt the resistance in Nomi’s words. Now that Nomi was no longer in the prayer position, Abigail hoped she would begin to open up. It was only when alone that Nomi turned to an empty sky for company, instead of repeating her old stories.

Abigail took a few steps forward in the barn, straw crunching under her feet. She reached into her heavy satchel, digging past bread, until she pulled out a bright red and green apple. She held it in front of her like a bouquet.

“For you, my sweet princess.”

Nomi smiled and lowered her eyes. She closed the distance between their bodies as she stepped forward to grab the gift. Abigail allowed their fingers to touch – but Nomi did not let it linger. She placed the fruit inside her apron and murmured a small, “Thank you.”

“Not going to eat the snack now?”

“I shouldn’t be so tempted,” Nomi said. “I will end up like Eve.”

“You give too much credence to stories that are not your own.”

“Aren’t they mine when they come from my mouth?” Nomi asked.

Abigail raised a brown eyebrow. “I don’t know. I liked the stories your mother told me. She always added new characters. Gave them new names – and new endings. If I told her I wanted a happy story, she allowed the prince and princess to run off into the sunset. If I said I wanted a sad story, before I really realized how sad stories worked, she would make the prince die in battle and the princess lock herself in a tower. Now I know not to ask for sad stories.”

“But they are a given,” Nomi argued. “Sad stories will happen whether we want them to or not.”

“True,” Abigail said. “But I’d rather believe I can change my own end, so long as I understand what’s happening.”

“And what of the princess?”

“And other princess?” Abigail asked, and then sighed. That was the only detail their mothers did not permit inside the realm of their stories: no prince and prince marriages, no princess and princess affairs. Two women could live together inside a castle, but they would never inherit a kingdom.

“Those two princesses were always part of the sad stories that I didn’t want to hear,” Abigail added.

“So perhaps it’s best we don’t have those stories anymore.”

“I don’t think so,” Abigail said. “I still think it’s possible to change. Especially for us. We can tell our mothers’ stories again, but make the endings different. We have the power to do that now. And when you speak aloud, you have even more control. But with those books, the word is written. It is always there. There is nothing to change it.”

“Nevertheless,” Nomi said, her eyes wide. “I will not eat the apple just yet.”

Abigail smiled, nudging Nomi slightly with her arm. “But enjoy it when you do.”

Nomi smiled briefly before her eyes grew dark again. “You shouldn’t be here. You still have hunting to do.”

Abigail smiled. Hunting was one of the few things her father asked of her that she knew she could do well. She was still learning her archery, but she could feel the muscles in her arms becoming steadier with each arrow fired. Hunting was easy – there were plenty of animals around for her to find. What Abigail relished, almost as much as Nomi herself, was going to the market. The vendors took her away from her family and introduced her to the world around her. All the foods were so different, as if adding ingredients was like a great magic trick that could produce never-ending and surprising results. Abigail studied the deep reds and yellows of the spices whenever she was there, trying to commit them to memory like a new story to tell. She couldn’t afford much of what remained at the market, now that the military men had come. She had to beg her father to let them get apples – and now she was giving them away without a second thought.

Abigail had met Nomi at the same market. She worked with her grandmother and mother then, sewing and weaving fabric. Her grandmother had been a silk vender, while her mother knew how to loom. Together, they had taught Nomi the art of working with their hands and creating beautiful things. Now, as Abigail stepped back inside the barn to eye Nomi, she could see how much the death of her family had changed her. She was not yet a woman, but her face was lined with worry and creased by fear. She wore dull clothing of grey, brown, and straw-yellow. Nothing like the purple cloth she had held around her body when they had first met. And worse, in Abigail’s mind, Nomi’s small hands were caked with dirt. As Nomi moved her fingers along her apron nervously, she left a trail in her wake.

Abigail took another step closer to Nomi, clasping one of her hands in her own.

“I will hunt,” Abigail said. “Just as you will come home with me. I will take you away from this place.”

Nomi met Abigail’s gaze, like that first time in the market. Abigail’s pale green eyes crossed with Nomi’s dark brown ones – and they stayed there, waiting. Their hands and fates interlocked. The first time they had met, Abigail had pulled Nomi behind the stacks of cloth in her mother’s booth and they had told stories to one another. They had linked their hands in friendship, but soon sought one another out for more.

“You cannot treat me like your princess,” Nomi stated. She looked down at the straw on the bottom of the barn, but she did not break her hand away.

“Even if I am your prince?”

“You are still learning how to hunt. You cannot take care of me.”

“I can hit almost anything now,” Abigail said, conviction in her voice. She dropped Nomi’s hand to reach behind and take out an arrow from her quiver, along with her bow. Abigail heard the rustling of doves from a nest built in the corner of the barn. A grey wing flashed, another body moved. A dove flew out of the nest and then perched on a higher beam. Just as it began to coo its morning song, Abigail raised the arrow and let go.

Nomi gasped as the arrow was released, only to watch as it flew through the small crack in the barn, just by the window where Nomi had been talking to God.

“Let me try again,” Abigail said. Just as she set up to strike the arrow straight into the nest, she noticed Nomi’s eyes were wide.

“Don’t…”

Abigail swallowed, feeling as wounded as she wanted her prey. “I can hit him. I can take him down. I will provide.”

“I know,” Nomi said, biting her lip. “But we all have a place in this world. That’s why I don’t fight the men. And that’s why you shouldn’t hit the birds.”

Abigail took a step forward and curled her hand around Nomi’s dark hair. She tried to see herself inside of Nomi’s gaze, inside of her dark eyes that were deeper and richer than the tea she saw men drinking at the market.

“What can I do to change your mind?”

“Nothing. Nothing will change my mind.”

But from the way Nomi said it, her eyes darting around, Abigail knew that she could. “What do you want, my buttercup? What do I need to get for you?”

“I am no buttercup,” Nomi laughed. “My hair is so dirty now. It’s never been the buttercup you want. I’ve always been like the ash in the soot.”

“Then I will get you water,” Abigail said, running her fingers over Nomi’s dark skin. “So you can feel clean. But you are already beautiful. You are my beautiful flower.”

Abigail leaned in, placing a small kiss against Nomi’s cheek. Nomi closed her eyes against the touch and seemed to hold her breath. She pulled away as soon as Abigail pressed for more.

“You keep telling me all these good things, but I don’t think you realize something.”

Abigail tilted her head, listening.

“These stories are only as good as the people who listen to them.”

Abigail paused, still waiting for more.

“You can’t have a story without an audience. I need someone to tell these stories too,” Nomi repeated, her hands trembling. She reached inside her apron, found the apple, and held it as if it was a crutch. “Whatever the stories may be about, I want a family to share them with. Right now, these people are all I have. They know Eve as well as I do. They know other stories too, ones that I want to learn. They are my family now. I must accept that.”

“Even if they’ve taken you from where you belong? And taken what you thought you knew?”

“Yes,” Nomi said, swallowing. “Because this is what I have now. And I must learn to cherish it.”

Abigail rested her hand on her shoulder. “What if I could be your family?”

“It’s too risky,” Nomi repeated. “In all those stories, you know that there have never been people like us.”

“But that doesn’t mean –”

“We all have a place here. And this is mine.”

“What if…” Abigail continued, but was cut off by one of Nomi’s fingers against her lips, shushing her. Abigail knew that as soon as Nomi pulled her finger away, there would be a black mark of soot against her lips. Abigail yearned for a real kiss from Nomi’s lips, ones that reminded her of the times behind vendor tents, in bright colors. Even if dirt and soot was the only mark she could have now, Abigail knew she would take it so long as it was from Nomi.

“If you’re not careful,” Nomi warned, her voice now a whisper. “If you do not do as you are told, one of your arrows will go off the mark. It will become a stray. I cannot handle anymore strays.”

The words hurt Abigail, but she tried to not let it show. “What does it matter, so long as you hit the target?”

Abigail took a step back from Nomi. In a fluid motion, she pulled an arrow out of her quiver and pulled it back against the bow. She spotted the nesting doves inside the awning of the barn again and she shot. She felt as if she was working within fractions of sections, in between her breath and heartbeats. She closed her eyes, not bearing to see the trajectory of the arrow– until she heard the sudden oomph of a body falling. She spotted a gray mass on the pile of hay in the corner. The cows and goats bleated at the sudden sound, and then left the barn in an eerie silence.

Abigail ran over to her carcass with a smile on her face. She was relieved when she noticed that the bird had not suffered. The arrow entered the dove at the base of his breast and then emerged at the center of his wings in the back. Right in the heart, Abigail knew. He was killed instantly, as if she had meant to do it all along.

“Here,” Abigail said, scooping up the bird. She ran the few paces back to Nomi, whose eyes were tense.

“Quiet,” she hissed.

Abigail paid no heed. She handed over the small carcass of the bird to Nomi, who griped it in her dirty fingers. Both of their hands were soon covered in a small trail of blood. The feathers were matted, stuck together and forming small petals away from the center of the wound. Abigail took out the arrow from the bird and slid it back into her quiver, her smile never wavering.

“I know,” she said, realizing Nomi’s silent horror. “It is a brutal death. But it’s good for us. Good for you.”

“Don’t you need him?”

“I do. But I know I can hit others. I know I can catch more. I know I’m good at this, if I just try. Will you believe me?”

Nomi examined her, slowly letting the horror fall away from her face. She glanced down at the bird, his wound, and her prospects of a good dinner tonight. She placed the bird on a pile of straw by the doorway and then turned her focus to Abigail.

“Thank you,” Nomi said, a small light returning to her eyes. “But do you see my point?”

“All I see is you.”

“God,” Nomi said. “Even this bird has a place. Even this bird needed to fit into this plan.”

“But I shot him down,” Abigail emphasized.

“But God allowed you to do so.”

“Practice did,” Abigail correct, her voice stiff. “I shot him down with practice.”

Nomi’s eyes softened, almost patronizing. Abigail crossed her arms over her chest, wiping the rest of the blood away on her clothing. Nomi took a step forward, tentatively touching Abigail’s side. She linked her hand around the wide belt that Abigail now wore to keep her materials and the money her father had given her. For a moment, Abigail sighed and felt how fragile her lungs had become. She felt the deep groves from the satchel on her arm and the weight of all the things she carried. She tried to blink it away, to carry her burden like a prince. Nomi touched her with both hands, leaving marks of blood as she went. Abigail felt herself melt into the touch and stared at the blood as if those were her wounds.

“I’m sorry,” Nomi said quietly. “I wish things were different.”

“I wish we could go back in time,” Abigail said. She lowered her eyes to the straw of the barn, back to where the dove lay in a bloody mess.

“Time only goes one direction. We must make do with what we have.”

Abigail turned to Nomi again. “Do you know what my favourite story was? Of your mother’s?”

Nomi’s face was pained. Before Abigail could offer to make it better, both women heard the sound of thick boots and men on horses. Nomi’s eyes went wide in fear.

“The soldiers,” she whispered, her voice harsh. “They are back. Quick. We must hide.”

Nomi grabbed Abigail’s hands in hers and pulled her into one of the stables. The horse neighed and clicked its hooves as it moved out of their way. Nomi and Abigail both fell down on the pile of straw the horse had been eating from, their bodies pressed tightly together. Abigail held Nomi’s waist, perching her body on top of hers. She used her back and the arrows she held like a shield to protect them. Her satchel of food fell down and apples rolled to the ground. The horse sniffed the red skin and then bit through it with his teeth.

Through the small knots in the wood and grates in the barn, Nomi and Abigail could see the shadows of the men as they tied up their horses outside. There was the crackle of matches and the lighting of cigarettes before they began to laugh and joke. The men spoke in an old language that even Abigail did not recognize from the markets. Their tongues were thick, heavy with an accent that was from a lower region of the country. Sometimes, Abigail could recognize words – but she understood the way their bodies moved even more. Each man possessed a casual arrogance, the kind that soldiers who believe they are always right have. They were the militia men, with dark green vests, black hats, and crests on their shoulders. The type of men who broke into houses and stole little girls like Nomi from her bed.

“You must leave,” Nomi whispered into Abigail’s ears. “It is not safe here.”

“It’s not safe for either of us,” Abigail said. “But I’m not leaving without you.”

“I…” Nomi began. Abigail pressed her lips against hers before she could finish.

Nomi opened into the kiss, breathing into Abigail’s mouth all the fear she had kept back. Nomi linked her hands around Abigail’s waist, touching the small of her back. Abigail pressed their hips together. Soon, their tongues touched in their mouths. As Nomi pulled away, Abigail linked her hands around her neck and deepened the kiss again. Nomi went back willingly, falling into Abigail’s arms and body like an old habit.

Their first kiss – during the middle of the market, hiding inside the shadow from the vendor’s tents – had been small and chaste. As they learned how to sneak out and into one another’s arms, their feverish desire for one another had grown. Soon, they learned how to find rivers and ponds on the scorched earth, taking off their clothing so they could bathe together. Nomi, with her dark skin and hair, was always beautiful underwater. Abigail always felt that her olive skin and dry, tough brown hair was like the hay they laid on now. It was only underwater, when she could wrap her arms around Nomi, that she felt as strong and as beautiful as her.

When the missionaries came and took Nomi away from her mother, she had changed. She had learned to keep her desire for women, and especially for Abigail, under a tight pressure. Abigail still believed that Nomi loved her and wanted her the way she had in the water. But it would take a long time, especially now, to undo whatever damage had been done. As Abigail ran her hands down Nomi’s torso, she placed a hand over her heart, between her breasts. Nomi didn’t push her away. She opened her mouth more, kissing Abigail with a passion that had almost been completely snuffed out. Almost.

Nomi’s free hand reached up to Abigail’s dark hair, around her neck, and held her tight. Now, as Abigail pulled away, Nomi pulled her back. She deepened the kiss and allowed their bodies to move together, crunching the straw.

When they heard the sudden din of the military men, Nomi and Abigail both froze. They stretched their ears to hear the subtle tones of voice, the horses’ hooves, and the bleating of the sheep. Abigail forced her memories away as she felt Nomi tense. They held one another, cheeks pressed together, until they were sure that the men left.

“I think we’re safe,” Nomi whispered.

Abigail pressed her mouth over Nomi’s for another quick kiss. “Will you not come with me? Even after all these close calls?”

“We have luck,” Nomi said. “Faith. That is all.”

Abigail wanted to say: but we have practice and practice always makes perfect. But she held her tongue. She kissed Nomi again. The smell of smoke lingered in her nostrils from the men and their many cigarettes.

“I have to get back,” Nomi said, breaking away from the kiss. Her voice was soft. “They will be looking for me soon. For dinner.”

“Yes, I know,” Abigail said.

They both rose up from the straw pile. Abigail stood on her feet, trying to get her balance as Nomi fixed the rest of her apron and dress. She picked out small pieces of hay, and then tut-tuted about the small amount of blood leftover from the bird.

“I will have to wash all of this in the river again,” Nomi mentioned.

Abigail smiled. “Maybe I should join you.”

Nomi’s eyes widened with the memory. As quickly as it occurred, it was snuffed out.

“Careful now,” Nomi said. “We must leave quietly.”

Abigail poked her head around the corner first. Seeing no danger, she stepped away from the stable first and hid inside one of the shadows of the barn. Nomi walked over to the small dove and held it in her hands again.

“Thank you, for this,” she said before tucking it away in her apron pocket. “And for the apple.”

Abigail smiled weakly. “Anything for you.”

Nomi and Abigail stood just in front of the barn window, paces from one another. They lingered, even as light outside waned. Straw crunched under their heels and the animals bleated in a bored tone.

“Will I see you again?” Nomi asked.

Abigail nodded. “So long as God will put me here…”

Nomi nodded, smiling. “I hope He will.”

Abigail rolled her eyes at her own foolishness, but she still felt her heart quiver inside of her chest. No matter who was telling the story, she knew that she and Nomi were destined, fated. Theirs was the one story, she was sure, that could not be moved or changed. Abigail took another step forward, her arrows shaking in her quiver. She wrapped her arms around Nomi in a hug and kissed her cheek. They would always love one another, Abigail knew, in any time or place.

“I love you, my buttercup.”

“Go on now,” Nomi said, moving her hands in a shooing motion. Abigail reached in for one more kiss, before she walked outside the barn and into the parting clouds.

* * *

With the sun above her parted in the clouds, Abigail was able to walk across the deserted parts of the country with enough light to feel safe. In many places, the earth was scorched and cracked, a deep red hue like some of the spices in the market place. It had been a long, long time since the rain had fallen. The apples that she carried on her back would be the last fruit for a long time, before the figs and the dates were brought out into market. And even then, Abigail didn’t know if she could afford those much longer.

When she was young, Nomi’s mother told Abigail a story about the fig tree. This had been her favourite story, because the fig had always represented the beginning, middle, and end of every story.

“The fig tree is the one that gives us life,” Nomi’s mother, Narda, had stated. “First you have the fruit that can be eaten both fresh and dry. It can be savored or preserved and turned into wine. Then, there are the many seeds inside that can repopulate and make more trees. The leaves of the fig tree are big; they can be folded for clothing, for blankets, and then used to catch the rain water when it falls. During times of famine and drought, when people thought their end was near, the fig tree always proved them wrong. People would walk towards the fruit tree and wait underneath it, opening their mouths up like a drain. They would eat the dried fruits until the rain came and was caught by those big leaves. They were always, always rewarded for their patience. You can change the ending, if you really want. Walk towards the one thing that gives you hope and wait. Be patient. Your ending will come – and I promise you, for both of you girls, it will be a happy one.”

Narda’s rich voice still echoed in Abigail’s ears as she walked. The tale allowed her to focus on something other than the dryness in her throat and the heavy weight on her back. Her shoes, once made perfect out of the hide of their last goat, were now as cracked and worn as the deserted plains. Abigail knew that she could not stop. The food had to get back before the last light, before dinner would be served. Though she knew her father, Abraham, would lecture her about waste, she took out another apple from the bag and began to eat it. There were no fig trees around her on the plains to sustain her, even if she had wanted to sit and wait for the rain to fall.

Abigail had reached the high hills just before her small village when she saw it. The tops of everyone’s homes were now the same sandy red color as everything else around from the wind storms. But her tent – the one nearest the edge, was a bright white. Her father had cleaned it, and now Abraham was talking to the sky.

Abraham stood as he prayed, his large arms open. The wind opened up his dark blue robes, exposing his meagre peasant clothing underneath. Abigail watched from the hilltop as her father murmured and nodded. She could not hear any of the words, but she knew from her father’s gait and his dress that he was about to engage in something serious.

Abraham turned around and walked back into the tent. He emerged with Abigail’s younger brother, Isaac, in his arms, still wrapped in his swaddling blanket. Isaac’s blanket was the only piece of fabric, like the top of their white tent, which was not caked in a thin layer of dirt and dust.

Abigail shifted. She dropped the core of her apple into the sandy earth and rested her hand on the base of her quiver. Where are you going, old man? she asked herself. She lowered her free hand over her eyes, blocking out the sun so she could see farther on the horizon. On the tip of the wind, she thought she heard the mumbled ending of Abraham’s prayer.

“And he gave God a sacrifice, so God gave him another chance. We will go back to the way things used to be, if we offer up the firstborn son.”

Abigail’s eyes widened. She had never read the books the missionaries gave out. She didn’t want to become infected with the words on the printed page. Instead, she had focused on the stories she knew by heart, in her memory, from Nomi’s mother and the vendors. But she had overheard enough words to know the story about sacrifice. She knew enough to know that no one was really safe.

Abigail stood, utterly paralyzed, as Abraham brought over Isaac to the small rock by the foot of their base camp. The people around them in their small shanty village did not seem to see. They all stayed inside their tents, minding their own lives on the pages of the Bible. Only Abigail, with the sun directly behind her, cast a shadow on the earth.

Abraham unwrapped the small baby over the rock. He turned towards the sky again, talking to nothing at all. He reached into his pocket, taking out something silver and shiny under the light.

“Oh no,” Abigail said aloud, finding her voice. “Oh no, oh no.”

She lowered herself in the bushes. Her heart thundered inside of her chest, making each movement as she reached for her bow and arrows seem as if it was occurring in slow motion. The lub-dub of her heart was replaced by the screaming oh-no inside her mind. She watched, her green eyes wide, as Abraham kneeled before the infant. Isaac began to cry as the knife was raised – and so Abigail pulled out her weapon and aimed. She readied her bow, controlled her breaths. One shot, she knew. One shot would be all she would ever have.

Lub-dub, went her heart. Oh-no, went her head. Abraham kept talking to the sky. Lub-dub. Isaac cried. Oh no. Abraham lowered the knife. Abigail aimed for his neck. Lub-dub. Oh, no.

Abigail fired.

Her shot soared through the air. Against the wind and the sand, the arrow volleyed straight into Abraham’s neck and out the other side. Blood spurted from the wound, marking the infant Isaac on the rock. Abraham feel forward, half of his body over his nearly-scarified son. Before the body could hit the ground, Abigail was on her feet. She ran towards the rock before the other villagers noticed – and before, if there was a God, could punish her for what she had done.

Abigail had gone against the story. She had ruined the sacrifice that was written on the pages and spoken of from ages ago. But she did not care. Abigail knew that this was not what real life was about, and because years ago, Nomi’s mother had told her she could be something different if she understood the story enough to change the end.

Abigail ran towards the rock with all the strength she had left. She ran until she found Isaac, covered in blood and screaming. She wrapped him back up inside the white cloth her father had him in. She fashioned the sheet into a sack for the baby against her chest. Blood streaked everything she touched, creating a sticky paste that mixed with the sand. But none of the blood was hers and none of it was Isaac’s. That was all that mattered.

“Shhh,” she said to Isaac who still cried against her chest. “My love, my love. You will be safe. You will be free.”

She tied the final knot above her neck, securing them both in place.

Then she heard the villagers. Roused from their own lives, they were now aware of the small massacre which had occurred. They shouted and turned towards the sky, asking for vengeance in heated breaths. Abigail began to run.

As she ran, Abigail dropped her arrows only once. She stopped to pick each one up again and tied the quiver’s leather strap tight against her shoulder. Even as Isaac cried, Abigail knew she could afford any stray arrows. Not anymore. Fate was a cruel burden that she knew she must carry on her back—one arrow at a time.

Abigail turned back towards the deserted parts of the country and ran to Nomi’s house.

* * *

Evelyn Deshane's creative and nonfiction work has appeared in Plenitude Magazine, Briarpatch Magazine, Strange Horizons, Lackington's, and Bitch Magazine, among other publications. Evelyn (pron. Eve-a-lyn) received an MA from Trent University and is currently completing a PhD at the University of Waterloo. Evelyn's most recent project #Trans is an edited collection about transgender and nonbinary identity online. Follow @evelyndeshane or visit evedeshane.wordpress.com for more info.

Where do you get the ideas for your stories?

Lots of places! But I think every one of my stories starts with an emotion I've experienced in some way, and that I've tried to communicate using different genres, styles, or symbols as a way to obscure its origin. Basically, I use fiction to feel my feelings. :)


The Lotus Eaters' Song


The Lotus Eaters’ Song
By Evelyn Deshane

Jessilyn had a routine. Once a month, when she had collected up all of her allowance from doing spare jobs (often over fifty dollars, if she was careful, and sometimes more if Christmas or her birthday had passed), she would tell her mom she was going out to the library. Halfway there, she'd turn down the street and walk right into the used record store called Back Beats Plus. Once inside, she'd find the most tattooed person working, and ask them for recommendations. She'd take these CDs back to her room, hiding them at the bottom of her backpack or under her bed, and transfer the music onto her computer so she could listen to them discretely later.

It wasn't that her parents didn't trust Jessilyn. Of course they did. They just didn't understand music and refused to let her listen to anything with a Parental Advisory sticker on it, or with scary imagery, or with bad words.

So, basically anything cool.

Just after her birthday in early September, Jessilyn did up her jean jacket to her throat, and snagged a scarf for her bag in order to disguise what she would eventually purchase. Her last CDs had been Black Flag's Damaged and My War, along with Jawbreaker's Bivouac and Dear You; classics, according to Davey. She was pleased that he was right, since she still caught herself humming the chorus for "Rise Above" under her breath as she got ready.

"Do you have homework, Jessilyn?" her mother asked from the kitchen. Jessilyn smelled cinnamon and nutmeg from pies her mother was making.

"It's too early in school to get homework," Jessilyn replied. "But I'm going to the library."

"Good. You're in high school now, so it will suddenly creep up. The long weekends of doing nothing in your room are over."

"So I'll read what the teachers tell me instead of what I want?"

Her mother's brow lifted, but she didn't say anything. Jessilyn could already see what she needed from the look. Be careful. Don't talk back. Watch your tongue.

"I'll be back before dinner," Jessilyn said.

"Good. See you then."

As Jessilyn shut the door and walked down the cobblestone driveway, she knew her mother was behind the window, face pressed up to the glass. Jessilyn gripped her "emergency" cell phone in her pocket as if to reassure both of them that Jessilyn wouldn't go very far. If she got into more than she could handle, the phone would always be there.

When Jessilyn was around the block, free and clear from her mother, she pulled out the phone and added ear buds. She found Black Flag's "Rise Above" on her playlist and made sure to hum along.

* * *

The door's jangle was different this time around. Heavier, almost muffled. When Jessilyn glanced up, she saw some kind of flower or dried herb hung with the bell on the record store's doorway.

"Welcome," a voice from the counter greeted.

"Hi." Jessilyn stepped inside. The woman behind the counter seemed to notice her apprehension, because she let out a small laugh.

"Oh, ignore that. Lola's decorating for Halloween, though we haven't even had Thanksgiving yet."

"It's the superior holiday, Torrance," Lola called from the back. Jessilyn knew Lola; she was a tall girl with long blonde hair that sometimes sported dyed tips. She was also responsible for Jessilyn's obsession with X-Ray Spex over the summer. Though the decorations were super-tacky, Jessilyn smiled along with the assessment.

"Yeah, I have to agree. Halloween's probably the best."

"Totally," Lola came out from the back, holding several handfuls of fake cobwebs. She grinned, wide and maniacal, before she started to spread the cobwebs across the doorway from the front desk to the back room. "I mean, you're not obligated to visit your relatives. You're not meant to give gifts—only if you want, and if you do want to give something, it's usually an offering to the dead. Halloween also has free candy for the young? I mean, how great is this?"

"Not the mention the music?" Torrance, the woman from before, added. Lola and her seemed to share a private joke while Jessilyn stood, still in awe. She had never met this woman—Torrance —before. She was small, maybe an inch taller than Jessilyn's five-five. She had a round face with dark bangs and hair to her shoulders. A tight choker rounded her slender neck. Jessilyn was too far away to see what was printed across the cameo, but she assumed it was something creepy and spooky. Torrance had on a dark collared shirt that covered both her arms and black tight jeans. Jessilyn couldn't see any tattoos around her arms, nor any piercings on her face. Torrance seemed like a complete contrast to Lola's blue highlighted hair and her tight Bikini Kill shirts with ripped jeans.

But there was something about Torrance, something that pulled Jessilyn in, and made her want to ask her what music she should be buying for today.

"Are you okay?" Torrance asked, leaning across the counter. Lola swayed her hips into the back of the store, closing the door behind her. A skeleton was pasted over the window, with a sign in its hand that said DEAD END. "Can I help you find anything today?"

"Yeah," Jessilyn said. "I usually ask whoever is working to help me out. Lola showed me X-Ray Spex a few weeks ago, and Davey showed me Black Flag. And Mitch, he gave me Bowie."

"All great choices. I knew I hired them for a reason."

"You own the store?" Jessilyn asked, her voice trembling slightly. Of course this woman owned the store. She was so beautiful she could have anything, and she picked music. The fact that, in some way, Torrance was responsible for all the songs of Jessilyn's iPhone made her tremble from deep inside she couldn't quite articulate yet.

"I sure do. It's my home away from home." Torrance smiled, then accidentally placed her hand inside a dense mess of cobwebs. Fake black spiders emerged like wind-up toys that ran forward. "Ugh. Lola! What did I say about the decorations?"

"Be careful what I wish for?" Lola let out another sharp laugh. Another inside joke seemed to be exchanged between them, while Jessilyn still waited. Her backpack felt heavier on her shoulders, and she adjusted it. Are the lights darker? she wondered. Jessilyn was about to glance out the front of the store window, when she saw Davey in the far corner, organizing the vinyl LP section. His tattoos glowed from under the limited light. When he waved, the tree that normally held autumn foliage on his arm appeared bare of any leaves whatsoever. Jessilyn waved back before another chill rolled through her.

"Come on. Ignore Lola's games for now," Torrance said, appearing by Jessilyn's side. "And let's find you some music."

"Okay. Great. Thanks. I have about fifty dollars, so I can get a few things. Don't worry about recommending me more than one."

"Never dream of it, sweetheart."

Jessilyn beamed under the name. When Torrance's black heals clicked against the tile floor, Jessilyn followed. When she glanced back at the counter, she could have sworn one of the plastic spiders scrambled across the surface to hide under the tip jar.

* * *

"What did you and Lola mean? From before?"

Torrance glanced up from the discount bin she was searching through. Already, Jessilyn held one of Siouxsie and the Banshee's first albums in her hands, along with The Indigo Girls, and Cyndi Lauper. These artists were, according to Torrance, sometimes slotted in with the Riot Grrrl movement, since they were female fronted, or all-women bands, but they were often categorized in varying genres. Jessilyn was still too young to really grasp much of the history behind all of these movements; she just knew how much she thought Siouxsie and the Banshee's looked like a witch, and how utterly awesome that was. Especially given the way the record store was decorated.

"I think Lola and I say a lot. Can you be more specific?" Torrance said.

"Oh. Um..." Jessilyn knew it was foolish, but she wanted to ask about witches. About Siouxsie Sioux, and if the suddenly feeling she got in her stomach each time Torrance looked at her was like the song "Spellbound" or like a real magical charm. "You were talking about Halloween music when she was putting up cobwebs. Is the stuff you're giving me related to Halloween?"

Torrance smiled, wide and long. Her matte lips were so dark red then, Jessilyn wanted to reach out and touch them. "It could be, if you wanted. Siouxsie Sioux does have a song called 'Halloween' on that album. She certainly gets me in the mood for the upcoming Equinox. It's my favourite time of year. Really, Halloween—or Samhain, as it's known for real witches—is a new year. A time to make resolutions."

"There are real witches? I thought that was just..."

"Make-believe? There are make-believe witches—like in Oz—and there are pagan witches. The real witches I talked about before, who celebrate the Equinox and Samhain, are part of their own religion."

Jessilyn's eyes went wide. She was sure what she was learning about now, beyond the musical choices and Parental Advisory stickers, was something her parents would hate even more. But she didn't care. As far as she was concerned, this conversation was ten times more illuminating that when she had discovered Riot Grrrl.

"That's... so cool."

"It is. And Lola likes to talk about witches and their traditions—especially Neo-Pagan ones—since we change our books here on November 1st, just after Halloween. So I treat my music store to the pagan calendar, I guess. All our employees of the month change out on a lunar cycle, too. I suppose it seems a lot easier that way, so I don't run into the same crowds at the bank or at the printer's office. But that's adult stuff. Don't worry about it."

Torrance's gaze focused back into the CD case, where she pulled out a couple more albums with discount stickers on them.

"No, it's okay," Jessilyn said. "I want to know. I just started high school, so, I may as well get t know the world."

Torrance smirked. She collected the CDs she held under her palm, and then considered something for a little while. "High school, huh. You like it?"

"It's easy so far."

"It'll get harder."

"That's what my mom says, but I doubt it. I read a lot, so I feel like I can work."

"That's not what I meant."

"What did you mean?" Jessilyn worried her lip. A tension had spread between them, but it wasn't antagonizing. Not like the girls who would sometimes follow Jessilyn from gym class to home room, taunting her as she listened to music. "Are you going to tell me some encouraging words about bullies?"

Torrance laughed; the rasp of her breath was like fire. "No. I could, but I won't. I feel like that's pandering. But I can give you something."

"Oh?"

"Yeah," Torrance confirmed. She handed over the CDs, then spoke in quick, rushed terms. "Not these—though they are good albums. You still have about ten dollars left, right?"

Jessilyn nodded.

"Perfect. Keep these CDs and let me know if you think they're good. But I'll be right back."

Jessilyn opened her mouth to respond, but Torrance was already gone. Jessilyn scanned the CDs for a band called Jack off Jill and another for Panic! At The Disco. She knew of the second band, and wanted to hand back the CD, but was pulled in by the super-long and interesting song titles. As she added the new CDs to her pile, she did some quick math in her head. Only three dollars left, maybe? If that. Oh, and taxes... Jessilyn really hoped that what Torrance brought out wasn't too expensive, or else she'd have to put something back, and that felt like an impossible choices.

While Jessilyn waited, she noticed more Halloween decorations had been added to the store. In addition to the cobwebs, there were black and orange streamers by the door and a few hanging bags of dried herbs. The front window looked as if it had been tinted black as well, small cut-outs of bats added to the edge all around. Jessilyn left her CDs on the bin for a moment as she wandered back over towards the window. The sign for Back Beats Plus turned into SPELS BEAT U as she rearranged the letters in her mind. She blinked and the letters arranged themselves into nonsense again.

"It's getting late," Davey said from behind her. "I think you're the last one to leave."

"Is it?" Jessilyn glanced down at her phone. She already had one missed call from her mother. Her eyes widen, especially when she saw it was 5:30PM.

"Oh, crap. I have to go."

"These were yours?" Davey asked, turning towards her small stack of CDs. He picked them up without waiting for a response and began to ring her through. Jessilyn stepped up to the counter, digging out her cash from her wallet. In the low light, she could have sworn that Davey's tattoos sparkled.

"That's 49.95."

Jessilyn let out a breath. Just enough. She slid over her cash with a smile. Davey gave her back a nickel, and a black bag filled with her treasures.

"Happy Early Halloween," he stated.

"Thanks. But I should be—"

Jessilyn as cut off by Torrance coming out of the back room. Finally. Her cheeks were red as if she had been running around. How big was that back room? Jessilyn wondered, but didn't get a chance to say anything before Torrance thrust a CD at her. It was bright orange and yellow, the disc inside hot pink as the case flew open.

"This is for you," Torrance explained. "It's what Lola and I usually talk about."

"Oh, but I can't—I'm out of..." Jessilyn said, feeling slightly relieved she had an easy excuse. The CD looked too much like pop music; the kind on the radio that seemed like nonsense about boys to Jessilyn's ears. She was shocked, really, that it had been Torrance who recommended it to her. Maybe the cameo on her neck wasn't spooky after all, and she was just a boring person who liked the same singles as the girls in her math class. The thought disappointed Jessilyn.

Torrance's green eyes, bright and vibrant, pulled Jessilyn's attention back.

"It's okay. I know I took forever so you're out of cash. And we're closing soon," Torrance explained. "So just borrow the CD."

"Borrow?"

"Yeah. So long as you bring it back next week and tell me what you think."

"Are you sure?"

"Definitely. How else do you think people listen to new artists? A lending policy is always good. And you're not going to find these guys anywhere else. So here." Torrance extended the CD into Jessilyn's hand with a smile. As she did, the feeling inside of Jessilyn's stomach grew. Definitely magic. Or spell work. Definitely... something.

Jessilyn spun the CD over in her hands, still lamenting the image of the blonde girl on the cover. The cover model looked preppy, just like girls who harassed Jessilyn after gym class.

"Keep in mind," Torrance added. "That appearances can be deceiving. We're all someone else around the right people."

"What now?"

"Nothing. Now go," Torrance said. "I think you're late—and we're gonna close soon."

"Right. Thank you!" Jessilyn glanced down at her phone as she stepped outside. Before she could call her mother back, the phone buzzed.

"Mom?" Jessilyn said. "I'm so sorry. I'm on my way back."

"You better be," her mother replied, voice stern.

Jessilyn sighed. I'm in trouble tonight. Jessilyn walked hurriedly after disconnecting the phone. The sky was filled with clouds, and when Jessilyn looked to the left, she thought she saw a sliver of white moon hanging there, as if it was waiting for her.

* * *

"Young lady." Jessilyn's father narrowed his eyes across the dinner table. Jessilyn toyed with her peas, wondering if she could make them disappear just by looking at them. The booming baritone of her father's voice, she swore, made all their vegetables tremble. "Young lady, why were you late today?"

"I told mom: I lost track of time in the library."

"Then why do you have no books?"

Jessilyn chewed the inside of her cheek. Usually when she went out like this, she at least got out a couple books out to cover her tracks and hide her CDs under. This time, she had barely made it home with enough time to toss her new purchases under her bed, and explain to her mother in a blathering tone just why she had been caught up.

Now, over peas, potatoes, and pot roast, it appeared that her complex webs of lies she had been weaving since she was twelve was unravelling in front of her.

"I just... I forgot to check them out. I was there so late, then all of a sudden it was time to go, so I had to put my books back."

"What were you reading about?"

"Nothing much."

"And it took you all afternoon?"

Jessilyn sighed, and said the first thing that came to her head. "The Salem Witch Trials."

"Oh?" her mother asked, surprised. "Is it for a school project?"

"Yes. We haven't been assigned anything yet, but in history, we get independent study units. I figured I'd get ahead of the game and figure out my topic today. So I know I'll have more free time later when the term gets busy, like you said it would."

Her parents exchanged looks across the table. Jessilyn's heart beat into her throat, and when they nodded, a rush of relief washed over her.

"Makes sense," her father said. "Maybe we can help. You know, your mother has some books on the topic."

"You do?"

"Well, I have books on the seventeenth century."

"That would be helpful. Thank you," Jessilyn stated. Both her mother and father beamed at her perfect use of manners.

"Excellent. Then it's decided. I know you've already had a big day full of studying, but perhaps a little more wouldn't hurt."

"Not at all." Jessilyn gave another semi-fake smile. Her heart rate returned to normal as she realized her cover was kept. If she had lost what had kept her sane in the past two years... She didn't even want to consider what would have happened. So while her parents went on to talk about their upcoming plans for Thanksgiving, and what relatives would be over, Jessilyn thought of Torrance. Her green eyes, her laugh, and her cameo. What was on the centre of it? Jessilyn still didn't know. She hadn't gotten close enough yet to see.

But she would. She knew it was only a matter of time.

"Jessilyn?" her mother asked. "Did you hear our question?"

"I'm sorry, no. Pardon me? Can you repeat it?"

"Of course. We were just discussing how Aunt Michelle would like to visit us this Thanksgiving, and she will need a place to stay. Your room seems like the best option."

Jessilyn's fists clenched, but she tried to not let her anger show. "Yes, that's fine."

"Good. Thank you."

As her parents continued their conversation, Jessilyn wondered if this was her punishment for being late today. Take away her sanctuary for the time being and give her more homework? Jessilyn was sure that was the case. If Aunt Michelle was here, Jessilyn knew that meant she'd be sleeping in the basement with the dust bunnies and the laundry machine monster from when she was a kid. There were no such thing as monsters anymore, of course, but that still didn't stop Jessilyn from shuddering.

So long as I have my music, though, I'll be fine. She nodded. Jessilyn put a stray pea into her mouth, and waited until it was all over.

* * *

"Here you are." Jessilyn's mother handed her a giant textbook that was larger than her head. She took the book with an oomph as she sat back down on her bed.

"This should have all you need to know about The Salem Witch Trials. There actually weren't as many as you think. And men were persecuted too."

"Huh. Fascinating," Jessilyn said, rather genuinely. She flipped open the dust-filled page and started to read about one particular witch, named David Morris, before her mother left.

Then Jessilyn listened, her eyes no longer scanning the page. She waited until she heard her mother's footsteps reach the kitchen and the running of water start. When she was sure her mother was consumed with her new task, Jessilyn pulled out her new CDs and began the transferring process.

She was almost done all of them by the time bedtime came around. She hid what she could, and then remembered the bright yellow and orange CD. It was still too risky to keep transferring them, especially so close to bed, so she decided to forgo it for now. Especially since it was the only CD left, and it was pop music.

But in bed, Jessilyn couldn't forget about the CD. It was like the bright oranges and yellows were its own light, and it kept her awake. She dropped down under her bed, finding it easily in her hide out. Then she dug out her old Discman, a relic she had bought off a kid in the third grade, and slipped in the CD.

The manufactured beats made her want to retch at first. It was like a Nintendo Game mashed with Aqua. And Jessilyn wanted to forget about her former love of the band that sang "Barbie Girl." She liked real music now. Better music. Not this nonsense. She was about to turn this CD off entirely as a wasted effort, when she finally heard someone sing.

The voice was stunning. So much that Jessilyn actually forgot to breathe. When she finally remembered, her mind lost itself inside the liquid voice like it was its own entity, its own visualization. When the first song ended, Jessilyn pressed repeat. She wanted to know each and every song before she moved onto the next one. And there was so much, beyond the manufactured beats, to listen to here. It was her third time through the song when she noted the lyrics.

When the moon is an orb in the daylight sky
we will come for you, new starling.
When the history books are all wrong,
we will come for you, little bird.
Make a new covenant. Together
we will take back the light. Starling, Starling
our bird beyond its cage. Come home, into our night.


Jessilyn had no idea of the meaning of some of the words, but the tone was clear. This was calling her—her directly, she knew it—and pulling her into something she couldn't fathom. Her parents had told her horror stories from rock bands whose CDs, when played backwards, revealed weird messages. But she thought that was her parents being uncool and ridiculous. This song wasn't a backwards message from Judas Priest, but she was still so, so sure they were calling her. I'm a little starling. I'm the bird they're looking for. Jessilyn flipped around the CD cover and read the name of the band. The Lotus Eaters. I'm the person The Lotus Eaters need.

Jessilyn listened to the next song. It was less bubble gum pop and more acoustic. And the signing voice, yet again, pulled her in. This song, though, was a bit more direct. It talked about hunting down the unbelievers and smashing all the cages to set animals and minds free. But it was the final two stanzas, almost whispered, at the end of the song that did Jessilyn in.

We will see you, little starling,
Our bird girl with two names
You will see us through a cracked mirror
And know we are just alike.

The sword in your throat
and the hum on your skin is real.
That is love, that is magic.
Let us show you our spell work.


In the dark, Jessilyn fumbled for the CD. She needed to know if these lyrics were really what she thought they were. She used the light of her still-charging iPhone and read them to herself. They were the same as she heard them. Written down, this was even clearer to her. Jessilyn was the bird girl with two names. The Lotus Eaters were speaking to her directly.

And most importantly, they needed her.

At the back of the CD booklet, she saw the names who had produced, written, and distributed the music. A logo with a birdcage on it was there, along with the names Davey Alison, Mitchell Carpenter, Lola Nightshade, Dunja Patel, and Torrance Abernathy. Everyone at the record shop.

Jessilyn stared at the ceiling for hours that night, listening to the new CD until the batteries ran out. In the silence, just before sleep, she knew what she had to do.

* * *

When Jessilyn knocked on the record store door, there was only a couple minutes of waiting before the door was opened. Torrance answered. The moon in the sky, now bright and full, gave Jessilyn enough light to finally see the engraving of her cameo.

"Welcome!" Torrance touched Jessilyn's shoulder, gently ushering her inside. "So glad you could make it."

"Me too," Jessilyn said. "I had to sneak out, but... I think it's worth whatever punishment I get."

"We'll make sure you're home safe before sun-up. I promise."

Torrance tapped her cameo as if it sealed their fate. Jessilyn smiled, knowing that was probably right.

The record store was densely packed with people, all wearing bright red t-shirts with the Lotus Eater's logo on it—half a flower within the empty space of a crescent moon. All the CD cases were pushed to the side of the store, opening up the floor to people. The normal music posters were turned over to reveal ancient occult drawings underneath. The now-familiar pop songs from before filled the air, and Jessilyn couldn't help but hum along.

Lola was at the front, her blonde hair now sporting orange highlights. She held a microphone in her hand, swaying her hips, before she started to belt out the now familiar lyrics.

"I'm so glad you gave us a chance," Torrance said. "We know the music's not for everyone."

"No, I loved it. Love it."

"Good. Why don't you join in? The full moon is about celebration."

Torrance gestured to the centre of the record store floor. People swarmed the area, forming a massive pit. Jessilyn's eyes went wide as she considered joining. Would it hurt? Would she break something? When Torrance pointed to the drawings along the floor, Jessilyn noticed the five-pointed star that seemed to guide the moshers. Around the mosh pit circle were the words An it harm none, do what thou wilt.

"So?" Torrance said, stepping into the pit. "What do you say?

Jessilyn followed her without another thought. Her routine was about to get a lot more interesting.

* * *

Evelyn Deshane’s creative and nonfiction work has appeared in Plenitude Magazine, Briarpatch Magazine, Strange Horizons, Lackington’s, and Bitch Magazine, among other publications. Evelyn (pron. Eve-a- lyn) received an MA from Trent University and is currently completing a PhD at the University of Waterloo. Evelyn’s most recent project #Trans is an edited collection about transgender and nonbinary identity online. Follow @evelyndeshane or visit evedeshane.wordpress.com for more info.

What inspires you to write and keep writing?

I used to think what inspired me to write was this desire to get my idea out and then learn from it, but the more time I spend not writing, the more I realize that I don’t write because it’s good for me, but because I hope it’s good for others. Even if someone hates what I’ve done, or doesn’t agree at all, I’ve given them something to talk about. Apathy, and the fear of apathy, is probably what makes me write and keep writing, then.

A Kiss


A Kiss
by Evelyn Deshane

The lightning struck backwards; a fork pulled
from the ground & made to tune the sky. They made
skin ripe like a bruise, an arm bent at odd angles,
and a dislocated shoulder as pale as rain water.
This kiss from the earth giants (the sky ghosts made
of clouds who don't know their strength of weather or love),
made us realize how lucky we are to be struck twice
in the same spot. They leave me alone with my wound's
blue aura, holy & sacred, as they stretch black into night.

* * *

Evelyn Deshane has appeared in Plenitude Magazine, Briarpatch Magazine, and Bitch Magazine. Evelyn (pron. Eve-a- lyn) received an MA from Trent University and is currently completing a PhD at the University of Waterloo. Their most recent project #Trans is an edited collection about transgender and nonbinary identity online. Find more information at evedeshane.wordpress.com or follow @evelyndeshane.

What inspires you to write and keep writing?

What inspires me to write and especially keep writing is knowing that words have the capability to change someone's perspective and illuminate another world--something important in fantasy writing, but which feels even more pressing now in the current political climate.

Artemis in Love: Three Fables


Artemis in Love: Three Fables
by Evelyn Deshane

One breast, three arrows
she knows how to find bone
peel back phosphorous from night
& turn her body back into a home
fool's gold
she believes she won the war
Orion strung out over stars.

One heart, two arrows
nothing but dirt on her hands
from burying Orion, former lover
& stranger beside her
the scorpion in the sky
to remember makes venom
a bitter taste in her mouth.
She shouts; she barks like a dog
the moon comes out & so do the wolves
they surround with dirty paws
& dig up old bones
Artemis feeds them memories
language falls from her jaws like honey
she forget the world 'alone'

Empty bed, one arrow
Artemis runs with the river
leaving her followers behind
along with the breast they discarded
to be better archers
Artemis longs to be full
with the moonlight
but Apollo creeps in with the dawn
& won't ever let his sister go.

* * *

Evelyn Deshane has appeared in Plenitude Magazine, Strange Horizons, and Lackington's. Their chapbook, Mythology, was released in 2015 with The Steel Chisel. Evelyn (pron. Eve-a-lyn) received an MA from Trent University and currently studying for PhD at Waterloo University. Visit them at: evedeshane.wordpress.com

What do you think is the most important aspect of a fantasy poem?

I'm caught between saying immersion-- I want to know the world as well as possible and believe it fully enough to be immersed-- and speculation-- I want the poem to tell me something, or consider something, that I haven't considered before. Basically, when I read spec fic, I don't want to see the exact same world as it is now; I want to see something new and be enchanted by it.

The Inventor


The Inventor
by Evelyn Deshane

My man has machine fingers,
the kind without sparks, no
electricity. He can play the Theremin
& make me sing without touching me.
He builds contraptions in the attic
without making any money, only talking
to the birds. So his music plays in the background
of B movies. He is the sci-fi stunt man,
the Tesla's coil in Frankenstein. His old stores
of metal will never be smithed, the house
never renovated, & my garage door will never work.
His machines pile with rust. And who thought
wings out of wax were a good idea once?
Your son never knew limits, but you

my Daedalus, never understood patents.

* * *

Evelyn Deshane has appeared in Plenitude Magazine, The Rusty Toque, and is forthcoming in Tesseracts 19: Superhero Universe. Their chapbook, Mythology, was released in 2015 with The Steel Chisel. Evelyn (pron. Eve-a-lyn) received an MA from Trent University and currently studying for PhD at Waterloo University. Visit them at: evedeshane.wordpress.com

What do you think is the attraction of the fantasy genre?

For me, fantasy (along with all of speculative fiction) as always been about imagining something different than what we've currently been given. For something like sci-fi, that could mean imagining a different future for a group of people and new technology; for fantasy, I think there's an attraction to looking back at already documented history with a new point-of-view or magical twist. Fantasy is also fun. Who doesn't want to write about dragons or magic or something else equally enchanting? Everyday worlds can be boring. Fantasy is a nice, and well needed break.